/Melinda Parrie

About Melinda Parrie

Web Development and User Experience Specialist at Information Technology Services on Northwestern State University's Natchitoches campus. 203A Roy Hall. Phone #5594.

‘Rosencrantz and Guildenstern Are Dead’

David West

Plays follows childhood friends of Shakespeare’s Hamlet

NATCHITOCHES – Northwestern State Theatre and Dance will perform Tom Stoppard’s “Rosencrantz and Guildenstern Are Dead” on Oct. 31-Nov. 3 and Nov. 7-10 at 7 p.m. and Nov. 4 at 2 p.m. in Theatre West. Tickets are $15 and $12 for senior citizens. NSU, BPCC@NSU and Louisiana School for Math, Science and the Arts students are admitted free with a current I.D. Seating is limited, so advance reservations are required by calling (318) 357-4483.

What happens when the supporting role is the main character? Behind the scenes of Shakespeare’s Hamlet, the play follows the antics of the Prince of Denmark’s two childhood best friends, Rosencrantz and Guildenstern, as they grapple with understanding their existence. This play deals with Shakespeare’s language in a delightfully humorous manner that allows today’s audience to grasp the heartache, the confusion and the plight of life on this rollercoaster of staying afloat in what can be very confusing and chaotic times.

Pia Wyatt is the director. Members of the cast are Kyle Munson of Prairieville as Rosencrantz, Rosa Campbell of Baton Rouge as Guildenstern, Madalyn Mullins of Baton Rouge as the Player. Gavin Bergeron of Houma as Alfred, Macie Barrios of New Orleans, Adleigh Denham of Baton Rouge, Sid Polezcek of Amite and Chase Crane of Livingston as Tragedians, Joey Carroll of Baton Rouge as Hamlet, Marissa Rogers of Covington as Ophelia, Emmanuel Dunn of Baton Rouge as Claudius, Bethany Lee of Baton Rouge as Gertrude, Nicholas Hebert of Larose as Polonius, Barrios, Denham, Polezcek and Crane will play Horatio, Fortinbras and the Ambassador, Jacob LeBlanc of New Orleans as a soldier and Macie Walgamotte of Slidell and Adele Hebert of Lafayette as attendants.

The stage manager is Amanda Wilburn of New Orleans with Logan Simoneaux of Thibodaux and Olivia Mosely of Alexandria as assistant stage managers. Set design is by Ellie Mandel of New Orleans with props by Alexis Mancuso of Saint Rose and costumes by Elizabeth Guy of Anacoco. Makeup is by Sydney Ryder of Deville with lights by Haley Helm of Covington and sound by Rayshaughn Armant of New Orleans.

Modern in Motion VI Oct. 16-19

David West

Reception will follow at Maglieaux’s

NATCHITOCHES – The NSU Dance Company and the Friends of the Louisiana Sports and History will present Modern in Motion VI on Oct. 16, 18 and 19 at the Louisiana Sports Hall of Fame and Northwest Louisiana History Museum at 800 Front St. in Natchitoches.

Tickets to the Oct. 16 Gala performance are $50 with a $5 discount for FLASH members. The Gala is sponsored by the Natchitoches Historic District Development Commission with a reception following the performance at Maglieaux’s Riverfront Restaurant. Tickets on Oct. 18 and 19 are $10 and $5 for FLASH members and students.

Brett Alan Garfinkel is the director and choreographer along with Kirstin Riehl and Crystal Lewis. The Tap Repertoire group will perform choreography by Rebecca Morgan.

“The performance centers around the beauty of the architecture of the museum itself,” said Garfinkel. “There is no through line story it is an abstract contemporary performance that is inspired by the building itself. The movement sometimes works with and against the style of the building. The NSU Dance Company is thrilled to be back at the museum for this performance as this is where it all began in the fall of 2013.”

The cast of Modern in Motion VI is Alexzandra Hattier, Ashley Henry and Abigail Miller of Slidell, Taylor Myers of Simmesport, Tara Lane of Little Rock, Arkansas, Sarah Talbot, Mary Scott Pourciau, Hannah Knoff and Katherine Langlois of Baton Rouge John Jefferson of Shreveport, Brandi Corkern of Covington Haleigh Giorlando-Wall, Dwight Robinette, Mary Strickland and Taylor Young of New Orleans, Alyson Brown of Jennings, Erin Fallis of Pineville, Alphonse Engram of DeRidder and Leyla Fettweis of Brussels, Belgium.

For ticket information, call (318) 357-5788 or e-mail

Reception for Holli’ Conway Friday

By: Leah Jackson

Meet-and-greet will be at Hanchey Gallery

NATCHITOCHES – Northwestern State University will hold a reception to honor Miss Louisiana Holli’ Conway, who last weekend was second runner-up and talent competition winner at last Sunday’s Miss America pageant.

Media are invited to attend the meet-and-greet, which will take place at 2 p.m. Friday, Sept. 14 in Orville Hanchey Gallery.

Conway will be on campus this weekend to attend the 20th annual Creole Heritage Celebration Banquet at 6 p.m. Friday and to serve as mistress of ceremonies for the 61st annual Miss Northwestern-Lady of the Bracelet pageant at 3 p.m. Saturday, Sept. 15.

Conway, a Monroe native, is a 2016 Magna Cum Laude graduate of Northwestern State with a Bachelor of Science in Theatre. She spent the year prior to becoming Miss Louisiana traveling the world on Carnival Cruise Line’s Sunshine and Elation as a playlist performer. She has been a featured performer in “Hairpsray,” “Rent,” “Songs for a New World,” “Sweeney Todd: The Demon Barber of Fleet Street” and “Avenue Q.” Conway sings in three languages and is trained in ballet, tap, jazz and modern dance. She grew up as a competitive athlete, finding her inspiration from her dad, a two-time Olympic medalist, and attended Northwestern as a track and field student-athlete.

She travels the state promoting her personal platform, InspHIGHER, a motivational program that guides men, women and children as they strive to reach their highest aptitudes. Conway is the official hostess for the State of Louisiana and spokesperson for Children’s Miracle Network Hospitals, Vantage Health Plan, Propane Dealers of Louisiana and the Louisiana Governor’s Council on Physical Fitness and Sports.

‘Spring Awakening’: A Review


When I arrived at A. A. Frederick’s to watch the student production of “Spring Awakening,” I was struck by one of the more impressive sets I have seen at this university to date. The floor was ornately painted with a splatter that began in its center. It was very reminiscent to what I imagine a blown-up spin art painting would look like.

The risers on the stage allowed for everyone to be able to look down and watch the show in the round. This was a very interesting point of view to be in as an audience member, rather than having to look upward. It was almost like watch a show up close whilst being in the mezzanine. This change of perspective was not only welcome, but successfully aided in the narration of this story.

As you wait for the show to start, the pre-show music plays lightly in the background while the live band warms up. The music, or rather sounds, playing were those of children playing in a playground. You could faintly hear children’s screams and laughter until the actors began filling the stage for a pre-show ritual before the show officially started.

As a whole, the cast was filled with extremely strong actors. Right away I understood that I was watching a show with children telling this story, even though these actors range from 18 to 21.

While the show as a whole sounded beautiful and poignant, the female ensemble truly blew me away. In “Mama Who Bore Me (Reprise),” the harmonies were so tight and resonated beautifully throughout the theatre. The pure angst emitted from these ladies was breathtaking.

The show stopper in this show for me was clearly “The Darkness I Know Well.” The technical aspects of this song truly portrayed the real darkness the song describes. The use of puppetry was very powerful and perfectly matched the dramatics of the song as well.

Cassidy Giddens, who portrayed Martha, left her soul bare on the set as she belted through her character’s felling whilst lying on a bed onstage.

You are guaranteed to leave this show feeling differently, which is something that always lets me know it has done its job. The way it resonates in everyone speaks worlds of both the direction and the writing.

The message of the show is mostly a call to action for sexual education and freedom within our youth and the audience will leave wanting to know how they can be a part of it.

“Rosencrantz and Guildenstern are Dead” is debuting at 7:30 p.m. on Oct. 31. If it is half as good as “Spring Awakening,” NSU Theatre is in for a great semester.

NSU Theatre to perform “Spring Awakening”

By David West

NATCHITOCHES – Northwestern State University Theatre and Dance will perform “Spring Awakening” Sept. 26-28 and Oct. 3-6 at 7:30 p.m. and Oct. 7 at 2 p.m. in the A.A. Fredericks Auditorium.

Tickets are $15 for adults and $12 for children and senior citizens. NSU, BPCC@NSU and Louisiana School for Math, Science and the Arts are admitted free with a current student I.D. Tickets can be purchased online at For more information, call (318) 357-4483.

“Spring Awakening” with book and lyrics by Steven Sater and music by Duncan Sheik is based on the groundbreaking and controversial play “Spring Awakening” by Frank Wedekind. The play takes the story of sexual awakening, youth revolt and self discovery into a new century. The play is set in 1891 when the grownups hold all the cards. Headstrong Melchior and naïve Wendla stumble into each other’s arms, passionate and curious while anxious Moritz struggles to live up to the stringent expectations of society.

With only each other for guidance, this group of young men and women travel the fraught and rocky path of adolescence, discovering their bodies, their minds and themselves along the way. An eclectic, vibrant celebration of youth and rebellion, “Spring Awakening” fuses issues of morality, sexuality and rock and roll into a story that packs a powerful emotional punch.

“‘Spring Awakening’ has been a production the theatre students have asked to do for quite a while,” said director Scott Burrell. “I’ve always been hesitant to direct the show because of the subject matter and the deep emotional content it presents. But with the current challenges youth are facing each day, I felt the timing was right to take on such an evocative musical. While those attending will certainly be impressed with the level of talent in our program, this production is certainly not for everyone.”

Burrell warned the play contains graphic and intense content including suicide, sexual violence/assault, sexual themes and mental illness. It is suitable for mature audiences over 18.

The cast is Joey Carroll, Madalyn Mullins and Emma Rivet of Baton Rouge, Jordan Molitor of Sulphur, Kathryn Bancroft, Trevor Brown, Samuel Wright and Emily Ricalde of New Orleans, Payton Hartwick, Thomas Hadzeriga, Asher Van Meter and Jayzen Boger of Edmond, Oklahoma, Andrew Palmintier of Lafayette, Cassidy Giddens of Shreveport, Dania Hunter of Leesville and Hannah Conrad Bradley of Princeton, New Jersey.

The stage management team is stage manger Krislyn Mardis of Choudrant and assistant stage mangers Devin Shores of Youngsville and Caitlin Foster of LaPlace.

Student designers are props designer Jade Duthu of New Orleans, costume designer Cambree Bailey of Ras Tanura, Saudi Arabia, sound designer Cameron Duhe of New Orleans and Hartwick is set designer.

The choreographer is Brett Garfinkel with music direction by Daniel Ley. Phil Kidd is set designer while Paul Pharris is lighting designer and Robert Richoux is technical director.

2019 Summer Music Camps

Spend a few days of your summer vacation at Band Camp on the campus of Northwestern State University located in the beautiful city of Natchitoches, Louisiana. The NSU Summer Music Camps are designed to meet the special musical needs of the students. The camper will enjoy a collegiate atmosphere with instruction and supervision provided by expert NSU staff and faculty along with qualified band directors and outstanding NSU undergraduate and graduate students.

General Information Flyer (PDF)
Campus Map (PDF)
High School Concert Band Registration (PDF)
Drum Major & Band Leadership Registration (PDF)
Drumline Registration (PDF)
Color Guard Registration (PDF)

Online Registration

CAPA students prepare for annual program ‘New Faces’

By Anthony Renteria, The Current Sauce

Freshman theatre majors didn’t have much time to settle in at NSU before getting hit with their first assignment: preparing for “New Faces,” a one night only show on Monday, September 10.

“New Faces” is always the first show of the semester that the theatre department produces in the fall semester. It is meant as an introduction to the theatre department for those new at NSU.

Students register through the Intro to Theatre class, and each person performs an individual piece of their choosing. From behind the scenes, each student is assigned an upperclassman as a coach to help with their piece, whether they be focusing on Musical Theatre, Dance or Performance/Directing.

Emma Rivet, a senior advising two freshmen on their performances, said coaching typically consists of helping students find material and ensuring they are performance-ready. This year, a total of 71 incoming freshman will be on the stage for “New Faces.”

Payton Hartwick, the Artistic and Production Director of “New Faces,” is more than excited to be heading this year’s production. She chose the opening act to be a number from the musical “Legally Blonde.”

The storyline of the show will feature the freshmen going from high school and jumping headfirst into the Theatre department and learning the ropes and demands. Songs like “Find My Way” and “What You Want” will tie into this theme.

Hartwick wants the students to get a sense of the work ethic, passion and creativity that the department strives for and apply it to their future careers.

“It’s almost surreal to think back when I was a freshman [and] how scared and nervous I was coming into this,” Hartwick said. “Now being in this position, it feels rewarding to give these freshmen the same experience I got when I was like them.”

For a few of the other students with history in the department, Thomas Hadzeriga, an acting director for “New Faces” and recurring coach fondly remembers performing an Olan Rogers monologue about his time in a Target bathroom. It wasn’t a traditional theatre piece, so his focus during rehearsal was to change the piece to a unique theatrical direction.

“Coming into this department is your own journey,” Hadzeriga said. “Whether or not you decide to stick with it is on you. It shows when you are trying and it makes a better impression.”

“Here’s Killing You Kid” to open July 25

By NSU News Bureau


NATCHITOCHES – Northwestern State University’s Summer Dinner Theatre will perform the murder mystery “Here’s Killing You Kid” July 25-28 and August 1-4 on the A.A. Fredericks Auditorium stage at 6 p.m. Doors open at 5:30 p.m. Tickets are $30 and advance reservations are required. For information or reservations, call (318) 357-4218.

Move over Sam Spade, Mike Hammer and Phillip Marlowe, there’s a new sleuth in town. He’s got a case to solve and despite the Surgeon General’s warning, it’s going to take a lot of cigarettes and whiskey to tough it out. When you see this film noir spoof you’re sure to say, “Play it again.” A murderously funny 1940s detective film spoof, this mystery dinner theatre is sure to make you become a super sleuth.

Members of the cast are Sean Grady of Leesville, Sam Wright of New Orleans, Bethany Lee of Baton Rouge, Kyle Munson of Prairieville, Adleigh Denham of Central and Connor Loar of Covington.

Robert Richoux is the director, set designer and technical director with lighting and sound design by Paul Pharris. Krislyn Mardis of Choudrant is stage manager and Anna Gautreaux of Houma is assistant stage manager.

More, from the Natchitoches Times: What to expect at the latest summer dinner theatre at NSU, July 30, 2018

Creative Collaboration: Theatre, CIS work together on “Into the Woods” costumes

By Jessica Parr, professor of theatre

The Northwestern State University Theatre and Dance Department’s recent performance of Into the Woods benefitted from an unusual collaboration with the Computer Information Systems program. In her research, student costume designer Mary Rogers found an example of 3D printed claws she wanted to experiment with for the Big Bad Wolf character. She reached out to CIS professor Dr. Begona Perez-Mira, who generously offered access to their 3D printer. Dr. Perez-Mira brought in CIS student James Maricle to help with the project. Over the next several weeks the three experimented printing custom claws directly onto fabrics. Their goal was to create light weight clawed gloves large enough to read from stage that didn’t impede the actor’s hands and allowed for a full range of motion. They tested which fabrics adhere best to the printed material and which shapes make for a stable claw. They worked out the best claw spacing and custom tailored gloves to the actor’s hands. Their hard work paid off when the Big Bad Wolf took the stage, and a research goal became a reality.